Thursday 17 November 2016

Bibliography

Critical Investigation bibliography 


Works cited:

Books

Barrie Gunter. (1998).The effects of video games on children: the myth unmasked

Gina Misiroglu- The Supervillain Book: The Evil Side of Comics and Hollywood

Karin Beeler. Children's Film in the Digital Age: Essays on Audience, Adaptation and Consumer Culture

Maximillien de Lafayette- Hollywood's Earth Shattering Scandals: The infamous, villains, nymphomaniacs and shady character in motion pictures. 8th Edition

Melvyn Stokes. (2007). Hollywood Abroad: Audiences and Cultural Exchange

Neale Steve. (2000). Genre and Hollywood

Timothy McGlinchey. (2016). Audience and Empathy. Film as a Uniquely Evocative Medium


Quotes

Genre and Hollywood. Neale Steve.  Page 10. “there were two main reasons for the appearance of genre and genre’s on the agenda of theorists…. One was the desire to engage in a serious and positive way with popular cinema in general and with Hollywood in particular”.

Genre and Hollywood. Neale Steve.  Page 10. “Hollywood and its films- on the grounds that they were commercially produced, that they were aimed at a mass market, that they were ideologically or aesthetically 
conservative…”.

Genre and Hollywood. Neale Steve.  Page 10. “…that they were imbued with the values of entertainment and fantasy rather than those of realism, art or serious aesthetic stylization”. 

Genre and Hollywood. Neale Steve.  Page 11. “The second was that in the cinema, the figure equivalent to the artist or author (auteur) in painting or in literature was- or could be- the director”.

Genre and Hollywood. Neale Steve.  Page 11. “The impact of auteurism on film criticism in general and on the criticism and appreciation of Hollywood films in particular was immense. It enabled both a systematic charting of a great deal of Hollywood’s output, and much detailed discussion of form, style, theme and mise-en-scene”.  
Genre and Hollywood. Neale Steve.  Page 12. “Genres may be defined as patterns/forms/styles/structures which transcend individual films, and which supervise both their construction by the film maker, and their reading by an audience”.
MM57.Genre and Hollywood. Neale Steve.  Page 10. “there were two main reasons for the appearance of genre and genre’s on the agenda of theorists…. One was the desire to engage in a serious and positive way with popular cinema in general and with Hollywood in particular”.
MM57.Genre and Hollywood. Neale Steve.  Page 10.  “Hollywood and its films- on the grounds that they were commercially produced, that they were aimed at a mass market, that they were ideologically or aesthetically conservative…”.

MM57.Genre and Hollywood. Neale Steve.  Page 10. “…that they were imbued with the values of entertainment and fantasy rather than those of realism, art or serious aesthetic stylization”. 

MM57.Genre and Hollywood. Neale Steve.  Page 11. “The second was that in the cinema, the figure equivalent to the artist or author (auteur) in painting or in literature was- or could be- the director”.   
MM57.Genre and Hollywood. Neale Steve.  Page 11. “The impact of auteurism on film criticism in general and on the criticism and appreciation of Hollywood films in particular was immense. It enabled both a systematic charting of a great deal of Hollywood’s output, and much detailed discussion of form, style, theme and mise-en-scene”.  

MM57.Genre and Hollywood. Neale Steve.  Page 12. “Genres may be defined as patterns/forms/styles/structures which transcend individual films, and which supervise both their construction by the film maker, and their reading by an audience”.

Moving texts
·         Black Mass (2014)- Directed by Scott Cooper
·         Goodfellas (1990)- Directed by Martin Scorsese
·         Chucky (1988)- Directed by Tom Holland
·         Scarface (1983)- Directed by Brian De Palma
·         A Clockwork Orange (1971)- Directed by Stanley Kubrick 

Online



Aurora cinema shooting BBC article: http://www.bbc.co.uk/news/world-us-canada-18937513

American clown sightings article: https://www.theguardian.com/culture/2016/oct/05/clown-sightings-south-carolina-alabama

Amazon review- https://www.amazon.co.uk/Batman-Killing-Joke-SpecialEd/dp/1401216676/ref=sr_1_1?ie=UTF8&qid=1476173266&sr=81&keywords=the+killing+joke+comic

Article about Jared Leto sending gifts to fellow cast members of Suicide Squad:


A tweet from a highly acclaimed person regarding Ledger’s death: 


Batman shooting info: https://en.wikipedia.org/wiki/2012_Aurora_shooting

Documentary of the batman shootings: https://www.youtube.com/watch?v=UeQgz9uDhqY

News link (Gun sales going up after theatre shootings): http://www.bbc.co.uk/news/world-us-canada-18981769


News link (Obama’s reaction to the shootings): http://www.bbc.co.uk/news/world-us-canada-18949783

Jared Leto’s psychopathic off-screen acting:


Wikipedia document on the ‘Mass Media’- https://en.wikipedia.org/wiki/Influence_of_mass_media

Man dressed as Batman to fight clown craze:



Journals

Do fictional characters on screen have an impact on audience members?






Joker influences in real life- whatculture.com/comics/9-horrifying-real-crimes-inspired-joker

Kirsh Olczak. (2002). https://www.geneseo.edu/~kirsh/vita/kirsh%20olczak.pdf 


Print texts

News-paper article on IT (film remake) and its influence on the killer clown craze influence: London Evening Standard (broadsheet) - Page 5

Media Magazine regarding Dark Knight Trilogy (MM44, Page 37): https://drive.google.com/drive/folders/0B0i5diL3vrEiSGxRNHIyZmM4Ums

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