Critical Investigation bibliography
Works cited:
Books
Barrie Gunter. (1998).The effects of video games on children: the myth unmasked
Gina Misiroglu- The Supervillain Book: The Evil Side of Comics and Hollywood
Karin Beeler. Children's Film in the Digital Age: Essays on Audience, Adaptation and Consumer Culture
Maximillien de Lafayette- Hollywood's Earth Shattering Scandals: The infamous, villains, nymphomaniacs and shady character in motion pictures. 8th Edition
Melvyn Stokes. (2007). Hollywood Abroad: Audiences and Cultural Exchange
Neale Steve. (2000). Genre and Hollywood
Timothy McGlinchey.
(2016). Audience and Empathy. Film as a Uniquely
Evocative Medium
Quotes
Genre
and Hollywood. Neale Steve. Page 10. “there were two main reasons for
the appearance of genre and genre’s on the agenda of theorists…. One was the
desire to engage in a serious and positive way with popular cinema in general
and with Hollywood in particular”.
Genre
and Hollywood. Neale
Steve. Page 10. “Hollywood and its films- on the
grounds that they were commercially produced, that they were aimed at a mass
market, that they were ideologically or aesthetically
conservative…”.
Genre
and Hollywood. Neale Steve. Page 10. “…that they were imbued with the values of entertainment and
fantasy rather than those of realism, art or serious aesthetic stylization”.
Genre
and Hollywood. Neale Steve. Page 11. “The second was that in the
cinema, the figure equivalent to the artist or author (auteur) in painting or
in literature was- or could be- the director”.
Genre and Hollywood. Neale Steve. Page
11. “The
impact of auteurism on film criticism in general and on the criticism and
appreciation of Hollywood films in particular was immense. It enabled both a
systematic charting of a great deal of Hollywood’s output, and much detailed
discussion of form, style, theme and mise-en-scene”.
Genre and Hollywood. Neale Steve. Page
12. “Genres
may be defined as patterns/forms/styles/structures which transcend individual
films, and which supervise both their construction by the film maker, and their
reading by an audience”.
MM57.Genre and Hollywood. Neale Steve. Page
10. “there were two main reasons for the appearance of genre and
genre’s on the agenda of theorists…. One was the desire to engage in a serious
and positive way with popular cinema in general and with Hollywood in
particular”.
MM57.Genre
and Hollywood. Neale Steve. Page 10. “Hollywood and its
films- on the grounds that they were commercially produced, that they were
aimed at a mass market, that they were ideologically or aesthetically conservative…”.
MM57.Genre
and Hollywood. Neale Steve. Page 10. “…that they were imbued
with the values of entertainment and fantasy rather than those of realism, art
or serious aesthetic stylization”.
MM57.Genre and Hollywood. Neale Steve. Page
11. “The second was that in the cinema, the figure equivalent to the
artist or author (auteur) in painting or in literature was- or could be- the
director”.
MM57.Genre
and Hollywood. Neale Steve. Page 11. “The impact of auteurism
on film criticism in general and on the criticism and appreciation of Hollywood
films in particular was immense. It enabled both a systematic charting of a
great deal of Hollywood’s output, and much detailed discussion of form, style,
theme and mise-en-scene”.
MM57.Genre
and Hollywood. Neale Steve. Page 12. “Genres may be defined as
patterns/forms/styles/structures which transcend individual films, and which
supervise both their construction by the film maker, and their reading by an
audience”.
Moving texts
·
Black Mass (2014)- Directed by Scott Cooper
·
Goodfellas (1990)- Directed by Martin Scorsese
·
Chucky (1988)- Directed by Tom Holland
·
Scarface (1983)- Directed by Brian De Palma
·
A Clockwork Orange (1971)- Directed by Stanley Kubrick
Online
Aurora cinema shooting BBC article: http://www.bbc.co.uk/news/world-us-canada-18937513
American clown sightings article: https://www.theguardian.com/culture/2016/oct/05/clown-sightings-south-carolina-alabama
Amazon review- https://www.amazon.co.uk/Batman-Killing-Joke-SpecialEd/dp/1401216676/ref=sr_1_1?ie=UTF8&qid=1476173266&sr=81&keywords=the+killing+joke+comic
Article about Jared Leto sending gifts to fellow cast members of Suicide Squad:
A tweet from a highly acclaimed person regarding Ledger’s death:
Batman shooting info: https://en.wikipedia.org/wiki/2012_Aurora_shooting
Documentary of the batman shootings: https://www.youtube.com/watch?v=UeQgz9uDhqY
Ledger’s notebook conspiracy: http://www.dailymail.co.uk/tvshowbiz/article-3193027/Documentary-Heath-Ledger-s-father-reveals-journal-actor-kept-prepared-role-Joker-resurfaces.html
News link (Gun sales going up after theatre shootings): http://www.bbc.co.uk/news/world-us-canada-18981769
News link (Obama’s
reaction to the shootings): http://www.bbc.co.uk/news/world-us-canada-18949783
Jared Leto’s psychopathic off-screen acting:
Wikipedia document on the ‘Mass Media’- https://en.wikipedia.org/wiki/Influence_of_mass_media
Man dressed as Batman to fight clown craze:
Man dressed as batman to fight crime (Bromley
Batman): http://www.express.co.uk/news/uk/655343/Victim-claims-she-was-saved-by-none-other-than-the-Bromley-Batman
Journals
Do fictional characters on screen have an impact on audience members?
Joker influences in real life- whatculture.com/comics/9-horrifying-real-crimes-inspired-joker
Kirsh Olczak. (2002). https://www.geneseo.edu/~kirsh/vita/kirsh%20olczak.pdf
Print texts
News-paper article on IT (film
remake) and its influence on the killer clown craze influence: London Evening
Standard (broadsheet) - Page 5
Media Magazine regarding Dark Knight Trilogy (MM44, Page 37): https://drive.google.com/drive/folders/0B0i5diL3vrEiSGxRNHIyZmM4Ums
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