Aarun
Saini- Critical Investigation
"...some men aren't looking for anything
logical, like money. They can't be bought, bullied, reasoned, or negotiated
with. Some men just want to watch the world burn- Alfred Pennyworth" [[1]].
To what extent are on-screen Hollywood villains, such as ‘The Dark
Knight’s 'Joker', having an impact on the audience?
Despite the world's fandom for the critically acclaimed ‘Dark Knight’
trilogy, there is a mega shift in the tone and feel of Hollywood characters
especially those in the superhero genre. This is particularly apparent in
Christopher Nolan's highly commended ‘Dark Knight Trilogy’ where the character-
Joker and even Bane do just that. In Nolan's film, the Joker has seemed to be
one of the best performances ever given by Heath Leger. It has been praised as
one of the ‘best acting portrayals’ in cinema history [[2]], and this is very much influenced by the fans reaction. Fans and film
viewers in general were very pleased with the portrayal of the Joker they
demanded more of it, unfortunately the actor Heath Ledger died shortly after the
film’s release. Conspiracy was generated after the passing of Ledger where it
was believed that the actor couldn't tell the difference between being a
psychopath like the Joker; and being a normal man. A moral panic is essentially
fear within the community over a wide spread of problems that can pose a threat
to the moral standards of society. A moral panic had launched in the media
which got people including parents concerned whether this type of portrayals
are really suitable for a younger demographic especially when it is for a 12A
certificate in the UK. What also was controversial is the fact that an
incident had took where a member of the audience (who was watching the final instalment
of the franchise), got up and killed many viewers who were watching the last
Dark Knight movie in Aurora cinema [[3]]. What is so fascinating is that the actions of an on-screen character;
The Joker had influenced the man to go out and mimic his actions that occurred
on screen. The fact that
“portrayals of violence in various media (e.g. television, movies and video games)
are linked to actual are linked to actual violent behaviour for children and
teenagers... has placed the topic of aggression at the fore of much social
discourse” [[4]]
is something not to ignore as it is a fact. When "The Dark Knight became the fourth highest
grossing film of all time. Clearly something about the film appeals to viewers…
" [[5]]. This is precisely the aim of what
the essay is trying to argue, if there is a correlation of
content seen on screen and the viewers who consume it. The Joker is no ordinary
Hollywood character, “he exhibits no interest in our cultural values, be
they by material or moral" [[6]], showing the shear difference that
this character has against many others that have come before him.
The most prominent movie out of the Christopher Nolan’s Batman trilogy
was ‘The Dark Knight’, simply due to the long wait for another actor to reprise
the role of Batman’s greatest foes; The Joker- played by Heath Ledger. The
character of Joker is known for his psychopathic and disturbing comic book
moments, everything to skinning a man alive to ripping someone to shreds is the
norm of every Joker fan. There was no doubt that this was the direction that
the film wanted to take the character on in ‘The Dark Knight’ theatrical film. After
the release of the film, it was critically acclaimed for the legendary
performance Heath Leger had while playing the Joker. Fans believe it to be the
perfect portrayal of the character since Jack Nicholson’s adaptation. However,
shortly after the film’s release it was announced that the actor Heath Ledger
died and there was a lot of conspiracy surrounding his death. Like William H. Macy said, “people have demons. Sometimes it’s
hard to see them” [[7]], this quote says it all. What
made the film so controversial were the clues left behind by Ledger himself. Clues
that showed that the character of the Joker had created an influence in to his
daily life and caused him to commit suicide. This form of ‘influence’ had also
occurred with previous actors who were in line to playing the role, such as
Jared Leto for the upcoming Suicide Squad movie, where it was said that he was
showing off some form of off psychopathic behaviour which made one colleague of
his think if he were actually “crazy” [[8]]. This shows how much of an impact that the
character of the Joker had on actors who were trying to give the best portrayal
yet. In addition to this, during the release of the final instalment in ‘The Dark
Knight trilogy’- ‘The Dark Knight Rises’, a shooting had taken place where a
young man had gone out of his way to shoot audience members stating that he
‘was the Joker’. He even mimicked the characters portrayal in his real life by
boobie trapping his room similar to how the Joker would trap his victims, this
can be linked to “Uses & Gratification” theory of personal identity [[9]]
where Mr Holmes is presenting his new identity of being a psychopath. Furthermore,
after the gun shooting “gun sales
in America rose by 43%” [[10]],
and it was because of all these events that a “moral panic” (Stanley Cohen) [[11]]
was created because citizens were concerned that such characters and content to
be allowed for public audience members. The gun empire in the United States is
in itself of big controversy due to thousands of American losing their lives
due to the fact that such weapons are still open to the public. The fact that
weapons of mass destruction are available to purchase is extremely worrying, as
this event is one of many incidents where a young man creates a massacre. However,
it is in question in to why and what had caused such attack…
Nolan’s Batman trilogy is known to be one of the greatest
and prominent trilogies of all time in cinema history, but what made ‘The Dark
Knight’ so special that the other films didn’t have? Despite it being the first
film out of the two to have received “$1 billion at the box office” and an “Oscar
for best supporting actor” [[12]], it was the portrayal
of the Joker that really blew people away, especially the fans. The fans were
eager to see his big screen debut after so long and were blown away with what
Ledger had achieved in that film, making it one of the most prominent
theatrical acting of all time. But what made it so controversial was the fact
that an on screen character; the Joker had, had an influence on an audience
member and had caused him to go out and mimic his on screen actions in the real
world. The film was said to connote "images of the 2001 attracts and their capacity to elicit emotional
effect and incite trauma in viewers, and second, ‘The Dark Knight's’ potential
to revoke such effects through flashbulb memory, the arresting image, or a
simulation of traumatic memory" [[13]]. The reason why such a moral panic emerged was
because of one of the most infamous cases ever to have created a moral panic
for films which was the James Bulger case. This case is very much similar to
the Joker case where audience members were influenced by what they watched on
screen and mimicked it in real life to harm other people. The Aurora shooting
had resurrected that moral panic and had been brought back once more. The media
played a large part in forming forcing that the media is injecting information in
to the consumers mind, like a “hypodermic needle model” [[14]] which
essentially meant that society believed that the media is at fault for these
crimes as they are constantly interacting with the media, thus gaining an
influence from it. A theorist known as ‘Todd Gitlin (2003)’ [[15]] stated that there should be
careful attention towards the violence selected and what is absent (mediation).
He believed that fictional violence was a target for criticism not only from
the media, but from society; a form of “scapegoat” [[16]]
for societies worries. Furthermore, a more recent event similar to
this had occurred late 2016, where it was proven that the cause of the infamous
‘killer clown craze’ had “originated from the new poster for the upcoming it
remake” [[17]]. These
examples as well as the main text itself are proof that there is some capacity
of films and characters having an influence on audience members, whether that
is good deeds or bad. The reason why good deeds can be originated from moving
text is because incident have occurred where audience members mimic the
on-screen actions for the greater good. For example, “people dressed up as
batman and went hunting for clowns in order to deter people from ding such
hideous acts” [[18]].
The problem
that these occurrences had on society was it made people especially parents
question whether or not such content and characters should be allowed to viewed
by children especially if it is related to iconic superhero characters which
are largely associated with the children demographic. Over the years, films
(especially) superhero movies had begun taking a darker approach as a theme for
these movies. DC films in particular were best known and were quite successful
in delivering great dark themed superhero movies, batman being the most
prominent. Dark themed superhero movies have become the norm, allowing for more
darker and graphical stories (and characters) to be brought to the big screen,
because it is said to be ‘acceptable’. As a result of this dark and gritty
theme the superhero genre adopted characters like the Joker made their way to
be more violent and dark for young viewers which also resulted in the “age certification” [[19]] for such films to be 12 and over; way
above the traditional superhero certification rating. Moral panics are
generated as a form of concern from audience members as such characters may
have an influence on their children similar to the way the children who watched
Chucky mimicked what they watched on an innocent child- James Bulger. The fear
of the Medias influence on people and families has been under research since
the 1950s, where there were anxieties about a ‘Televisions influence on family
life’ [[20]].
There have been many different portrayals of the Joker on
both the big screen and on TV, however none come close (not even Jack
Nicholson) to how Heath Ledger portrayed his Joker. The character subverts the
audiences expectations in a way no villain in superhero history has done till
date. The way in which the audience praise and side with the villain is
something very unusual and very unique. The twist of course, “is that this
is a new breed of criminal (and not just because he shoots his fellow thieves),
one who dislocates himself from the narratives sterilised notion evil that
characterises the mobsters" [[21]]. What audience don’t know is
that there is more than just the portrayal audience enjoy, they enjoy the
characters mind-set and how he detaches himself from other characters. The
psychology of the Joker presented in the film gives off a horror feel to the
character and a very menacing character is presented before the audience. Scenes
where the Joker “tortures Rachel by talking about how he got his scars” [[22]]
really brings out this psychopathic approach to the character. The more the
Joker speaks through-out the text, the more the audience begin to feel a bit
unease with the character as if he is more than just a ‘typical’ villain. There
is more than just dialogue that comes in to play when an audience can feel
influenced by a characters on-screen actions, and one of the major things that
had an impact on the audience, was the mise-en-scene and camera presentation to
capture these horrific moments. “The Jokers make-up, his purple suit, and his absurdity can still
seduce the objectivity-minded guardians of good” [[23]] which all present him in a rather unusual and
comedic way, similar to his natural counter part of being a ‘funny’ character;
like in the comics. However these props and make-up seem to juxtapose the idea
of comedy and bring out a more scary and horror-like tone which give the
character more seriousness and creates intimidation towards the audience.
Furthermore, the shots used
to capture the moments the Joker had on screen also played a part in building
this theme of dark humour, for example, when Gambit is being tortured with
having a knife in his mouth and the Joker tells his story about how he gets his
scars, the shots used were selected very carefully. This scene used a lot of
close-ups especially when the Joker was intimidating Gimbal, the intention was
to make the audience feel as if they were the ones being intimidated, and
Gimbal is essentially the audience in the movie, whatever Gimbal was feeling
and facial expressions, the audience felt the same way. This effect in turn
would create this sense of fear within the audience. They feel as if they were
interrogated by the character despite the fact that they are just watching it
passively. It shows how the pros and camera shots used were carefully selected
to bring forth a powerful, yet intimidating scene out of every Joker appearance.
One thing that the “Joker makes clear in The Dark Knight is
the success evil can enjoy when we naively ignore the presence of evil" [[24]]
which is true to a
large extent. Audience members
are blinded by the shear horror that the character holds and enjoys the scenes
he is in, despite how evil his actions are. And finally, "The Dark Knight's cinematography and
mise-en-scene continually operate to slightly aspects of 9/11" [[25]] which plays a key factor with
every character within the films, especially the Joker. ‘The Dark Knight’ uses
this ideology of 9/11 through-out the film, and uses characters to portray
certain aspects of this. The scene where a hospital is blown up by the Joker is
very reminiscent of the twin towers explosion, and the Joker is presented as
the terrorist in the story. This links deeply in to the narrative of the film
where there is a link between the 9/11 event and how this film tries to
reinvigorate it as a core story element within this film. The Joker playing the
terrorist, he is the one who uses persuasion to get his way, for example when
he tries to brainwash Harvey Dent in the hospital. This scene above all else
was what really connected with the audience. This is when the Joker justifies
his actions by essentially manipulating and hallucinating the viewers in to
falling in to his trap of being an ‘honest guy’ a man who isn’t like others,
who wants people to show their inner-self. It really splits the audience in two
minds, whether to hate the Joker or agree with him, and this can have affect
with the way audience members view their real lives. An example of another real
life copy-cat crime that was influenced by the Joker would be Christopher
Clancy who allegedly committed arson by setting fire to his school while having
the Joker make-up applied to his face. His reasoning for committing such a
crime is similar to that of the Joker stating that the school ‘is run by hypocrites’ [[26]]
which is similar to
the ideological thinking the Joker had towards society when talking to Batman
face to face in the prison cell. Another act of this crime that mimicked the
Jokers on screen portrayal was that in the film the Joker is seen to be burning
money, which is evident when the young boy is burning his school. There are
many more crimes and influences that the character of Joker has had on
audiences and it may not be the end of Hollywood’s influential characters; like
the Joker.
The
historical text chosen to compare against ‘The Dark Knight’ text would be the
1960’s Batman TV show starring ‘staring Adam West’ [[27]]. The reason why this is the perfect text to
compare with ‘The Dark Knight’ is because of the vast difference in time, of
where these two texts have been created as they both are based off of the
original DC comic characters, but presented in a much different way. What makes
this text so different is that it is built up of the ideologies and popular
culture of the time period the shows was created in- the 1960’s. During the “late 1940’s, censorship
became a prominent way of trying to stop certain information being consumed by
the public” [[28]],
and comic books were no exception. This in turn had a major impact on the 1966
TV show as censorship had to be a key role within this show. Batman was known
to be quite dark than its Marvel comic counterpart, that being more in line
with kids. Batman was a character more suited and relatable to adults than
children’s as the topics that the comics dealt with were real life situations
such as losing parents etc. Obviously, showing such crude content on TV
(especially during the 1960’s) would be deemed unforgivable and would create
major anger amongst society. Such censorship had forced publishers like DC
comics to tone down their content which resulted in the “disappearance of horror and gritty
books from the mainstream” [[29]].
So in turn, the 1966 Batman TV show captured the zeitgeist of that era, by
dealing with the issues of censorship at that time. Alongside “nostalgic
currents there was an emphasis on escapism in the post-9/11 American popular
culture. For instance, the ratings for the long-running New York-based sitcoms
Friends increased by 17 percent in the wake of the terrorist attacks” [[30]]
showing how people want a form of escapism who are not much interested in the
story, but just want a visual source to escape to.
What has made this Batman (1966) so unique and
interesting is the fact that there is such a vast difference between the two
time periods. This is largely to do with society’s expectations and ideologies
of such content at the time. This is because since the since world war two was
the major shock to the world and the world was in the process of recovering, to
read or watch any particular content that would reinvigorate that sense of
horror or stress would be deemed unfit for society. People wanted a source of
escapism, to watch content and forget about their real life issues. Batman 1966
was one of many shows (at the time) that aimed to be ‘just another’ TV show to
act as a form of audience pleasure. The 1966 interpretation of the Batman is
camp and rather more comedic to fit in with society’s popular culture and
ideologies at the time. Furthermore, the way the Joker was presented in the
show is completely different to that of Ledger’s Joker. The Joker (played by Cesar Romero [[31]])
too was more suited for the audience of that time period, acting more camp and
comedic rather than the intimidating Joker we know of the modern era. Furthermore,
the key theme that is played-out through all three seasons would be the sense
of comedy and campiness and the less serious approach that the show takes. It’s
as if it deliberately is trying to be less about the story and more about the
visual entertainment that audience members can enjoy. It really shows the vast
difference in culture and audience mainstream between the two texts time period
(zeitgeist).
What makes these two texts so different from
each other is the perception of the source; superhero’s. Since the birth of
superheroes ‘stereotypes’ [[32]]
of this content has been largely associated with children, and wasn’t
until there was major changes in audience expectations and change in society
where something largely associated with kids, will soon be an attraction for
adults. This shows how much audience demands and expectations have changed over
time. The norm and mainstream can be common for so little time, until it
becomes something hated upon rather than loved. This all changed when Tim
Burton revived the Batman and superhero genre as a whole by providing audience
with a new and unique twist on the genre by giving a more serious and gritty
approach to the character. And it wasn’t until Christopher Nolan took directing
duties to deliver the very best of what the real batman truly was. It is said
that a film supervises “both their construction by the film maker,
and their reading by an audience” [[33]] which shows how the
auteur effect gives plays a major part when telling a vast and immersive story
like this where characters who are meant to be hated- are actually loved and
enjoyed defeating the entire purpose of a villain. This opened doors to fans
and non-superhero viewers for something more than just a kiddy action-packed
film. The typical demographic range for such content was between the ages of
7+, whereas due to the sheer changes in this genre, it has opened the age
groups to a more adult range (15+). This is because this demographic share a
similar interest of dark humour and more serious tone movies which is the
approach the industry is taking this genre to. Then from that moment on, superhero films has
been dominating the box office with large amount of success and carry different
themes along with them, some with dark humour (Batman V Superman) and some more
humorous (Captain America Civil War). This links to the ‘psychographics’ [[34]]
that the films are appealing towards where the ‘new’ audience for superhero
movies has essentially shifted to a more serious tone and a sense of realism
which are beliefs and interests that this new audience share.
To conclude, although
this investigation may not prove 100% that audience members are affected by
what they see, there is an extent to where they feel influenced, or even
emotionally connected to what they have viewed and is something they will not
forget. It surely shows that "...Nolan's nightmarish version of the Joker
persistently suggests his capacity as an agent of chaos" [[35]]
and this is implied both on screen and off screen. The fact that the director
can try and aim for a specific take on a character can really create something
innovative and iconic, similar to the way that Joker was presented. There have
been past encounters with on screen violence being re-enacted off screen
including other media outlets such as video games, and therefore show that
there is some degree of influence upon audience members.
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Kirsh Olczak (2002). https://www.geneseo.edu/~kirsh/vita/kirsh%20olczak.pdf
[1]
Cain M, 2008, The Dark Knight
[2]
Wharton W, 2013, MoviePilot
[3]
Quinn L, 2016, Mail Online
[4] Rosenberg
R, 2008, p. 135
[5] Heit, J, 2011, p. 177
[6] Ibid p. 176
[9] The
Public Opinion Quarterly, 1974, p. 509-523
[11]
Stanley C , 1973, p. 9
[12] IMDB,
2012, The Dark Knight Box Office
[13] Pheasant F, 2013, p. 132
[15] Gitlin T, 2003
[16] Wright D, 1987, p.15-74
[17] London Evening Standard, Davenport J,
2016, p. 5
[19] BBFC, 2008, http://www.bbfc.co.uk/case-studies/dark-knight
[20] Livingstone S, 2009, p.2,
http://eprints.lse.ac.uk/36987/1/Half_a_century_of_television_in_the_lives_of_our_children_(LSERO).pdf
[21] Heit J, 2011, p. 175
[22] Ledger H, 2008, The Dark Knight movie
[23] Heit J, 2011, p. 186
[24] ibid,
p. 186
[25] Pheasant F, 2013, p. 132
[26] What Culture, 2014, whatculture.com/comics/9-horrifying-real-crimes-inspired-joker
[27] IMDB, 1966, Batman
[29] Ibid
[30] Russel S, 2002, pp 1-15
[31] IMDB, 1966, Batman
[32] Russel S, 2002, p. 1-15
[33] Burke L, 2015, p. 30
[34] Senise
J, 2007, issue 48
[35] Pheasant F, 2013, p. 132
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